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The reviews section summarizes news clippings and quotes of articles from national and international magazines and newspapers. Find below what the press says, quoted in random order. [See also: Articles in Arabic ]

Full articles are available upon request.

From Articles:

"Jamal A Hosn's "Symphonic Poem: 1983"... emotionally charged... orchestrationally interesting..."

Los Angeles Times

“His melodies transcend the depth of the human soul and use the purity of music to address both the universe and man.”

May Menassa – Annahar

“The rhythm raises thousands of questions about man and the universal society, about war, life and death, about destruction and reconstruction, about delving into the realities of an electronic planet.”

Yaqzan el-Taqi – Al Mustaqbal

"Jamals’multilingual music unites various musical components based on natural elements such as mountains, rivers and water that reflect colored lights into a virtual reality.“

Asafir

"His music is a mixture of “strange” and “new”, not only because he follows the latest and most successful western trends by visually presenting his music, but also because his music is aimed right at the listener’s heart.

"Music, poetry, melodies and choreography make up his sight and sound show, which fills theaters all over the world, and carries once again Lebanon’s avant-garde.“

Henry Zoghaib – Cedar wings

The public saw the full talent of this multicultural artist through the “eyes of music”. On the stage, his classical piano stands near a synthesizer computer and video equipments with a giant screen in the background stage. Aboul-Hosn has the cool look of a long haired and bearded artist; he is not only a full musician (composer and interpreter) but also a painter and director of “clips”. In short, Aboul-Hosn produces a “poetry of sounds” based on the diversity of his creativity.

L’Orient-Le-Jour (Translated from French)

Concert Quotes:

The Green Line Concert at the Roman Ruins
Downtown – Beirut - 2001

After his trips to Cairo, Vienna and the United Sates, Jamal’s art was 10 years ahead of his time for it is aimed to all human senses and circumstances. It is aimed at adults as well as children, whose eyes are most receptive to his music.

Jean Chahine - Al-Shabaka

Jamal’s Liberation Concert
at Al-Shqeef Castle (25-05-2001)

This show is a rich artistic bouquet which lets tunes, words and lights wipe out all traces of occupation from the majestic ruins of this castle, and engrave in its stones a story of glorious deeds. It represents a series of artistic scenes that hide a powerful weapon of resistance, albeit of a different kind.

- Al-Kifah al-‘Arabi

Jamal’s paintings focus a lot on nature and flirt with his musical productions: his music thus steps from temporal and harmonious relations to colorful, plastic and surreal ones.

- ASharq al- A’wsat

We hereby acclaim those who refused western hegemony and only kept the west technical fields. The result being a fruitful marriage of this technique and their oriental spirit, all of which applies to young composer Jamal.

Mohamed Hijazi - Al-Hasnaa’

Mapas – Lebanon presents Jamal
Echos of sound, light and color
“Reflections from Jeita Grotto”- 1997

The magical music revived the silent nature of the Jeita Grotto and its calm water. The exceptional melodies of Jamal carry you through sights and sounds gliding through them far beyond natural boundaries.

- Dr. Nabil Haddad – Director of Mapas - Lebanon

Jamal exceeded time barriers to an ocean of creative tunes and colors, which shadows titillate your eyes and ears.

Mona Taouk – Nidaa’ El-Watan

The multi-media live show by Jamal
at the Muscat Festival 1999

Melodies transported the listeners onto a magic carpet patch consisting of mystic tunes, colors and imagination. The Arab audience was enchanted by Jamal’s music as he formed a unique orchestra, where new technologies served as means of conveying the music he played.

Panorama Magazine - Jordan

"He must have been aware of the warm reception on the piece received, from the audience and the orchestra. The reflective flavor and rhythmic energy of the piece made it a great deal of fun to perform. His outstanding compositional technique, and feeling for the text, was well expressed through every phrase."

John C. Whitney, Conductor
UCF Community Orchestra

Articles in Arabic (scanned) >>

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